존 케이지 음악에 있어서 주역(周易)

I-Ching in John Cage's Music
  • 김경순

초록

For better understanding of John Cage, we have tried to approach his music with the alternative perspective, away form the conventional western way. We found that there were three philosophical sources which constituted the basis of his music. At first, Cage got inspired from the Indian philosophy and Buddhism that "Art is the imitation of nature in her manner of operation". And then from the Zen practice, he came to realize that the music should be freed from the personal intentions and memories of the composer so that it's proper sounds be produced within the "totality of possibilities". At last he discovered that the I-Ching was the perfect instrument for making the music which he idealized in its divine nature. He perfectly comprehended the principles of the chance operation of I-Ching and applied them to the composition of music; that is, starting from the elements of Yin and Yang representing sounds and silence, to the sophisticated manifestation of hexagram in the form of structural sound events.

키워드

주역음양64괘리듬구조소리범주도표기법주역음악<4분 33 초>(<4'33">)쇤베르크사티I-ChingYing & Yang64 hexagramrhythmic structuresound gamutchart technic<Music of Changes><4분 33초>(<4'33">)A. SchoenbergE.Satie
제목
존 케이지 음악에 있어서 주역(周易)
제목 (타언어)
I-Ching in John Cage's Music
저자
김경순
발행일
2009-05
유형
Y
저널명
서양음악학
12
2
페이지
185 ~ 222