신소설 『마상루(⾺上淚)』의 개작과 유통: 서사 구조, 가족 질서, 이본 『해신곡』을 중심으로

초록

This article reexamines the sinsoseol Masangnu as a work shaped by the adaptation of earlier yadam narratives, the transformation of family order, and the coexistence of print and manuscript cultures. Although grounded in preexisting yadam materials, Masangnu was reconstructed as a full- length modern-style novel by intensifying repeated crises and emotional tension. The successive threats posed by the coachman, the mountain villager, and Hong Jinsa expose social disorder, while Lad y Y i e mer ges as a n act ive figure w ho co nfro nts da nger w ith jud gme nt a nd reso lve. The study also analyzes the publishing strategies of Dongyang Seowon and Min Jun-ho, showing that Masangnu was designed to encourage emotionally engaged reading. In addition, the newly identified manuscript variant Haesingok, which closely follows the printed Masangnu, demonstrates the persistence of manuscript culture after the rise of printed sinsoseol. The comparison reveals contrasting emphases on suffering, resentment, and moral restoration.

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