욕망의 형식으로서의 영화 -라캉과 두개의 텍스트

초록

The reconstructing process of the series of human unconsciousness and its externalized symbols are positioned at the apex of the most interesting imaginative power that humans can possibly show. Desire from the perspective of others as a way of jouissance and desiring the story that could be called the pleasure of a human responds closely to the process of satisfying desires for the lack as a process of filling up,complementing and reconstructing in ways completely new and satisfying alienation or a certain part of lack. This article is an experimental note where the reading of two film texts concerning unconsciousness and desire that show up all too frequently in the language of Lacan and the linguistic structure associated with this was applied. An interpretative key word that runs consistently through ‘The Game of Evening” almost coincides with the process of asking back what the substance of the desire a woman is signifying and why. Sung-Jae’s sexual eccentricity and desire is the symbol of unconsciousness she is internalizing as well as a process of the total healing through it. ‘Mother’ wonderfully reproduces the proposition that the desire of a human entity Lacan named ‘alienation within language’ ultimately comes down to linguistic desire. That reproduction consists in the sight of misunderstanding and gaze,through which Mother and Do-Joon sublimate politics of human relationships up to that of desire. That sublimation is an insight of a higher level into the life and truthfulness that we have kept under our domain both our inside and outside as well. Our epical text has come so far as to pose such questions as who I am, what makes me uniquely what I am today and what kind of language it is that looks into it. Lacan r the two texts poses questions about other parts and stages of interpretation that have been left undone or left out. The essence of his text is a form of poignant questions about the cave within the inside of humans called desire,khoradhk rather, in such a sense.

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